42
EDITORIAL
Annette Hill
Framework 42: Public Space, Cinema and Media Audiences
ARCHAEOLOGY
Christian Keathley
The Cinephiliac Moment
Timothy Barnard
From Impressionism to Communism: Léon Moussinac's Technics of the Cinema, 1921-1933
Jean Douchet
Constructing the Gaze: An Interview with Jean Douchet, Antoine de Baecque, and Christian-Marc Bosséno
PUBLIC SPACE
Christine Geraghty
Cinema as a Social Space: Understanding Cinema-going in Britain, 1947-63
S V Srinivas
Is There a Public in the Cinema Hall?
Valentina Vitali
The Families of Hindi Cinema: A Socio-Historical Approach to Film Studies
Janet Staiger and Martin Barker
Traces of Interpretations
BRAZILIAN CINEMA
Lúcia Nagib
The New Cinema Meets Cinema Novo: New Trends in Brazilian Cinema
NEW MEDIA AGENDAS
Andrew Jakubowicz
New Media and the National Imaginary: the Making of Making Multicultural Australia—a multimedia documentary
CONTROVERSY IN FILM TEACHING
Michael Chanan
A current censorial threat to film studies in British universities
REVIEWS
Jane Roscoe
Documenting the Changes: Stella Bruzzi, New Documentary
Mina Shin
The Art of Hong Kong Cinema: David Bordwell, Planet Hong Kong: Popular Cinema and the Art of Entertainment
Larry Sider
Sound and Visions: Michel Chion, The Voice in Cinema
K. J. Donnelly
Some Irish Problems: James MacKillop, ed., Contemporary Irish Cinema: From The Quiet Man to Dancing at Lughnasa
FESTIVALS
Drake Stutesman
Realities and Memories: New York Film Festival 2001
K. J. Donnelly
Radiocracy: Mediacracy but not Mediocrity—The Radiocracy Conference at Cardiff University, November 1999
Ruth and Archie Perlmutter
On a Roll: The Hamptons Eighth International Film Festival
Stephen Teo
Good Natured Fare Amidst Hidden Turmoil: The 24th Hong Kong International Film Festival: A Report
Anna Dzenis
CINESONIC 2: Cinema and the Sound of Music
Claire Barwell
School of Sound 1999-2000
Paul Willemen
Note on Dancer in the Dark
