1-39
VOL 1-39
Issues are listed under year of publication and volume number, thus volume 1 in 1974 reads as 1:1974. Names that appear after an – are the authors of the articles. Under ‘interviews’ the interviewee is first, followed by volume number and year, and then the interviewer. Most issues also include book and film festival reviews.
1970’s
1:1974
Cinema and Poland – Michael Parker
On Francois Truffant – Paul Nightingale
On Gianfranco Bettetini – Don Ranvaud
Theatre and Shakespearean Film – Tony Howard
Peckinpah and the Epic – Ron Rose
L’Union fait la force: Critical Theories of Film – Marion Doyen
Interviews
Alan Renais (France) – interviewed by Don Ranvaud
Robin Wood (UK) – Jenny Norman and Eliz Aherne
2:1975
On Liliana Cavani – Gian Carlo Castelli
Lina Wertmuller – Gian Carlo Castelli
On Marco Ferreri – Gino Buscaglia
Neorealism – Gianfranco Bettetini
The Ambiguous Forms of Narrative Reality – Pier Paolo Pasolini
Why Custer at the ‘Halles’ in Paris 1973 – Marco Ferreri
The International Convention of Women in the Cinema – Vicky Weatherstone
Interviews
Bernardo Bertolucci (Italy) – Carlo Tagliabue
Bernardo Bertolucci (Italy) – Francesco Casetti
3:1975
Living Historically: Two Films by Jean-Luc Godard – Andrew Britton
Il Rema – Pier Paolo Pasolini
Tabella – Pier Paolo Pasolini
Accatone Today – Pier Paolo Pasolini
Why Being Rather than Nothing? – Werner Herzog
Interviews
Bernardo Bertolucci (Italy) – Carlo Tagliabue
Marco Bellocchoi (Italy) – Robert Schar
Krystztof Zanussi (Poland) – Don Ranvaud
Sohrab Shahid Saless (Iran) – Don Ranvaud
4:1976
Reality and the Photographic Image – Deborah Thomas
Debate: Psychoanalysis and Film (1) – Stephen Crofts
Why Ophul? – Collective text
Pursued: a reply to Paul Willemen – Andrew Britton
The Reckless Moment – Collective Text
Family in Reckless Moment – Collective text
Jaws, Ideology and Film Theory – Stephen Heath
5:1976/1977
River of No Return – Don Ranvaud
To Be Or Not To Be – Shelia Whitaker
Douglas Sirk – Steve Neale
On Billy Wilder – James McCourt
Unamerican Inclinations of Ford and Peckinpah – Brian Taylor
One Flew Over the Cuckoo’s Nest – Reynold Humphries and Genevieve Suzzoni
Entertainment in the Medieval Ghetto – Clive Gardner
Interview
Michael Ritchie (USA) – Don Ranvaud
6:1977
Japanese Independents—Govaers, Matsumoto, Yoshida – Shelia Whitaker
The Syberberg Statement (a dossier) – Andrew Britton
Comolli: Theory and Practice—La Cecelia – Don Ranvaud
Reflections on the Audience – Colin McArthur
Sexuality and Power or the Two Others – Andrew Briton
Framework Festival at University of Warwick in March 1977:
Meeting of international film journals /+ films screened. Attending:
France: Cahiers du Cinema, Cinefantastique, Positif; USA: Film Reader, JumpCut; Italy: Cinema Sessanta; UK: Film Form, Tribune, Montage, Rough Cut
7/8:1978
Casanova – Gay Clifford
Eisenstein and Ideology – Stephen Crofts
Sexuality and Power – Andrew Briton
African Dossier
Les Bricot Negres Prologue – Med Hondo
Nous aurons toute la morte (pour domir) – Med Hondo
Archeology
The Nickelodeon Era Begins: Establishing Framework for Hollywood’s Mode of Representation — 22/23:1983 – Charles Musser
Excavating Porter: A Review of Before the Nickelodeon — Richard Allen
Interviews
Med Hondo (Mauritania) – Don Ranvaud
Ousmane Sembene (Senegal) – Ulrich Gregor
Haile Germina (Ethiopia) – Paul Willemen
9:1978/1979
Nous aurons (Med Hondo) – Don Ranvaud
Black Narcissus – Michael Walker
It Always Rains on Sunday (Part II) – Shelia Whitaker
The Moment of It Always Rains on Sunday – Gerry Turvey
London Filmmaker’s Co-op – Annabel Nicholson
Constructions of Reality—Traditions of Independence in British Cinema – Don Mc Pherson
Movie Crazy or the Man(iac) with the Movie Camera (on Peeping Tom) – Raymond Durgnat
Brook’s Remarkable Men – Don Ranvaud
Star Wars – SEFT Manchester Discussion Group
Archeology
The Future of Cinema – André Antoine
André Antoine’s Film Theory – Stuart Liebman
Interview
Laura Mulvey and Peter Wollen (UK) – Don Ranvaud
Karel Reiz (UK) – Shelia Whitaker
Jack Gold (UK) – Shelia Whitaker
10:1979
The Chilean Cinema in Exile – Peter B. Schuman
La Batalla de Chile—El Golpe – Patricio Guzman
Language and Popular Culture – Jorge Sanjines
Cuban Images: Some Notes – Michael Chanan
Grease – SEFT Manchester Discussion Group
Feminism, Film and the Avant Garde – Laura Mulvey
Rossellini: Dossier
Rossellini 1 – Don Ranvaud
Rossellini 2—and the Critics – Geoffery Nowell-Smith
Rossellini 3—on his Originality – Edoardo Bruno
Archeology
The Infringement of Copyright Laws and Its Effects (1900-1906) – André Gaudreault
Interviews
Raul Ruiz (Chile) – Don Ranvaud
Pastor Vega (Cuba) – Don Ranvaud
Humberto Solas (Cuba) – John King
Gutierrez Aléa (Cuba) – Gerado Chijona
Fernando Solas (Argentina) — 10:1997 – Don Ranvaud
11:1979
The Documentary
Joris Ivens and the Problems of Documentary Film – Bert Hodenkamp
Five Faces of Vertov – Jean Rouch
On Rossellini – Jean Rouch
Summing Up – Roberto Rossellini
On Marx: Ideas Towards a film about Marx – Roberto Rossellini
That Part of Cinema called Television
Channel Four and Independence – Independent Filmmakers Association
An Assessment of Television – Jean-François Lyotard
Hollywood Corner
Re-writing History: notes on The Deer Hunter – Reynold Humphries
Four West African Filmmakers Round Table Discussion on ‘Cinema: Art Form or Political Weapon’ – Samba Felix N’Diaye and Kwate Nee-Owoo
Fernando Solanas, Bertrand Tavernier, René Vautier and Guy Hennebelle Round Table Discussion
What is Cinema for Us? – Med Hondo
West Indies Story (J’ai deux amours) – Ben Gibson
Latin America Part II
Humberto Mauro and the Historical Position of Brazilian Cinema – Glauber Rocha
Hunger Aesthetics versus Profit Aesthetics – Glauber Rocha
La Batalla de Chile (III) – Patricio Guzman
Archeology
Ycham discoursing on cinema: France 1912 — 31/32:1986 – Richard Abel
‘Cinematography’, Ciné-Journal 20 April–11 May 1912 — 31/32:1986 – Ycham
Interviews
Soulemane Cissé (Mali)
Safi Faye (Senegal) – Angela Martin
Jean Rouch (France) – J-P Oudart and Yann Lardeau
1980’s
12:1980
Glauber Rocha: An Introduction – Sergio Toledo Segall and Robert Gervits
History of Cinema Novo – Glauber Rocha
Disavowal of Class Conflict in Murder by Decree – Reynold Humphries
Masochism and Subjectivity – Kaja Silverman
Hollycau$t—Inquiry into Holocaust – Edgar Reitz (and Andrée Tournes)
Holocaust is not a Film – P Fleischman and Andrée Tournes
Form is Morality: Holocaust – Hans-Jurgen Syberberg
Rotterdam Conference: Are You Coming Through? – Leonard Henny
Berger’s Animal’s: Berger’s Canrnival of Animals – Alison Beale
Framework Festival at Norwich (1980) ‘British Cinema in the Eighties’
Interviews
Shyam Bengal (India) – Behroze Gandhy
Orlando Senna (Brazil) – Don Ranvaud
Marco Ferrei (Italy) – Gino Buscaglia, Don Ranvaud, Carlo Tagliabue
13:1980
East Anglian Film Archive – David Cleveland
Sunday Too Far Away and Born—Again Cinema – Noel King
Hybrid Plots in Psycho – Peter Wollen
Vertigo: The Secret of the Tower – Jürgen Ebert
Rebecca – Don Ranvaud
Introduction: Place in the Cinema – Peter Wollen
Sauve qui peut...Godard! Fragments – Jean-Paul Godard
Mark Rappaport on Place – Mark Rappaport
James Benning on Place – James Benning
Archeology
The Birth of the Sixth Art—1911 – Ricciotto Canudo
Interviews
Stanton Kaye (USA) – Don Ranvaud
James Benning (USA) – Jon Jost
Jon Jost (USA) – Don Ranvaud
Eagle Pennell (USA) – Jon Jost
Jean-Paul Godard (France) – Don Ranvaud
14:1981
Apocalypse Now viewed by a Vietnamese – Nyguyen Khac Vien
Youssef Chahine and the Egyptian Cinema – Roy Armes
The Limits of Individual Action (on Yilmaz Guney) – Roy Armes
Male Subjectivity and the Celestial Suture: It’s a Wonderful Life – Kaja Silverman
Halloween: Suspense, Aggression and the Look – Steve Neale
It’s Only a Film/ La face du néant – Pascal Bonitzer
Trying to Remember an Afternoon with Raul Walsh – Jon Halliday
Anthony Mann: Looking at the Male – Paul Willemen
Pod-Persons and Sign Systems – Charles Barr
Film/Criticism/ Film Education – Philip Simpson
Kevin Brownlow’s Hollywood and Film Theory – James Leahy
The Avant-Gardes: Europe and America – Peter Wollen
The Classic TV Detective Genre – Mike Westlake
History Man: Sounds and Images of Academe – Terence Hawkes
Dallas Part I – Gillian Swanson
Archeology
Thoughts on an Aesthetic for the Cinema—1913 – Georg Lukacs
Interviews
Youssef Chahine (Egypt) – Andrée Tournes
Sally Potter (UK) – Valentina Agostinis
Andrei Tarkofsky (Russia) – Ian Christie
15/16/17:1981
Afterthoughts on ‘Visual Pleasure and Narrative Cinema’ Inspired by Duel in the Sun – Laura Mulvey
Yilmaz Guney: The Limits of Individual Action – Roy Armes
Heroic Fatality and Visual Delirium: Raw Deal and the Film Noir – Frank Krutnik
Window Dressing: A Poster Competition for Dressed to Kill – Tony Brynat and Griselda Pollack
All this... and Superman Too – Ben Gibson
(script) Freud’s Dora: A Case of Mistaken Identity – Jay St Collective
Dallas Part II – Gillian Swanson
The Spanish Coup as Representation – Contracampo
Video Report – Paul Willemen
Archeology
Kinema—1908 – Vaclav Tille
Interview
Anthony Mann (USA) – Jean-Claude Missiaen
Yilmaz Guney (Turkey)
18:1982
So That You Can Live (for Shirley) – Michael Chanan
Police Taped – John Wyver
Introduction – Philip Simpson
How Can You Take Film Seriously – Christopher Frayling
Questions of Psychoanalysis—Questions of Heath – David Will
Escape Route to Marseilles (1) – Ingemo Engstrom/ Gerhard Theuring
Presentation – Steve Neale
Postscript – Paul Willemen
Selections from ‘The Cinema Academy"’ – Olivier Assayas
Archeology
Introduction – Ian Christie
1913–1927 Film and Theatre – Vladamir Mayakovsky
Interview
Ken Loach (UK) – Julian Petley
19:1982
So That You Can Live: Popular Memory – Claire Johnston
So That You Can Live: A Welsh Response – Derrick Price
A detour ‘round’ So That You Can Live – Marc Karlin
Raiders of the Lost Ark – Steve Neal
Escape Route to Marseilles (2) – Engstrom/Theuring
Introduction: on Sam Fuller – David Will
‘Tough Nuts to Crack:’ Fuller’s Shock Corridor – Ronnie Scheib
The White Dog Talks—To Sam Fuller – Sam Fuller (USA)
Archeology
The Aesthetics, The Obstacles, Integral Cinegraphie—1927 – Germaine Dulac
Introduction to ‘Integral Cinegraphie’ (1927) – Stuart Liebmann
Interviews
Sam Fuller (USA) – Don Ranvaud
Iain Bruce and Nick Dubrule (UK) – Peter Todd
Laura Mulvey and Peter Wollen (UK) – Fizzy Oppé and Don Ranvaud
20:1983
Brownlow’s Gance – Richard Philpott
Mersault Goes West: Five Easy Pieces and Art Cinema – Noel King
King Blank: Response to by Karyn Kay – Michael Oblowitz
Splits: Changing the Fantasmatic Scene – Kaja Silverman
Splits: The Script – Leandro Katz
A Metabolic View – Thomas Elsaesser
Obituary for Rainer Werner Fassbinder – Douglas Sirk
Archeology
Introduction – Ann Friedberg
Continuous Performance: The Film Gone Male – Dorothy Richardson
Interviews
Wayne Wang (USA) – Peter Todd
Beth and Scott B (USA) – Scott McDonald
21:1983
Godard’s Passion
Passion 1. – Peter Wollen
Passion 2. – Rod Stoneman
Passion 3. – Paul Willemen
An Unsuitable Job for a Man? – Rosemary Jackson
New York Super-8 filmmakers: An Introduction – Karyn Kay
Archeology
Slavko Vorkapich: A Hollywood Extra (1927)—The First of the Independents or How Hollywood Extra Was Made – Bozidar Zecevic
The Life and Death of 9431—A Hollywood Extra – Richard Allen
Script: A Hollywood Extra – Richard Allen
Interviews
Jean-Luc Godard (France) – Don Ranvaud and Alberto Farassino
Edgardo Cozarinsky – Thomas Elsaesser
Anand Patwardhan (India) – Behroze Gandhy
Betsey Sussler (USA) – Karyn Kay
Adam Brooks (USA) – Karyn Kay
Tim Burns (USA) – Karyn Kay and Louis Walthall
Robert Nelson (USA) – Scott MacDonald
Aaron Lipstadt (USA) – Jim Hillier
Jan Worth and Annie Brown (UK) – Sylvia Harvey
22/23:1983
Gandiana and Gandhiology – Ashish Rajadhyaska
Oh What a Lovely War – Tom Nairn
Tomato Ketchup/Passion Fruit: Variations on Japanese Independants
– Lesley Stern
Presentation – Paul Willemen
Australian Film Culture: Dossier
The Australian State: A National Cinema – Sam Rohdie
Australian Filmmaking: Its Public Circulation – Tom O’Regan
‘Typical Aussies’: Television and Popularism in Australia – Noel King and Tim Rowse
A State Capitalist Venture: The Southern Australian Film Corporation – Albert Moran
Camera Natura: Landscape in Australian Feature Films – Ross Gibon
Indigestion: The Practice of Reviewing – Meaghan Morris
Frozen Music (resistence and memory) – Mick Eaton
Photographing the Poor and Working Class – Derrick Price
Cable TV: A Proposal – Rob Burkitt
Archeology
The Nickelodeon Era Begins: Establishing Framework for Hollywood’s Mode of
Representation – Charles Musser
Excavating Porter: A Review of Before the Nickelodeon – Richard Allen
Interviews
Gianni Amelio (Italy) – Philip Schlesinger
Katsue Tomiyama (Japan) – Lesley Stern
24:1984
Filmnews – Jan McSweeney
The Australian Journal of Screen Theory – Felicity Collins
Serious Undertakings—Deconstructions, Demolitions – Sylvia Lawson
Serious Undertakings: Release Script – Helen Grace and Erika Addis
King of Comedy: A Crisis of Substitution – Beverle Houston
An Avant Garde for the Eighties – Paul Willemen
Archeology
The Future of Cinema – André Antoine
André Antoine’s Film Theory – Stuart Liebman
Interview
Sally Potter (UK) – Pam Cook
25:1984
The Seventh Goddess – Bui Phui
The Vietnamese Cinema from its Origins to 1945 – Pham Nyoc Trong
Brecht the Realist and New German Cinema – Roswitha Muella
A Guide to Neo-Television – Umberto Eco
Stars Get In Your Eyes – Kevin Rockett
Scotland’s Story – Colin McArthur
Stranger’s Kiss – David Will
Interviews
Merata Mita (New Zeland) – Pacale Lamche
Jon Jost (USA) – Pascale Lamche
26/27:1985
El Norte – Richard Allen
The Tightrope of Male Fantasy – Ron Burnett
Heimat: Approaches to a Word and a Film – Martin Chalmers
Ireland: The Propaganda War – Paul Madden
Interviews
Issac Julien (UK) – Jim Pines
Michelle and Armand Mattelart – Paul Willemen
Diego Risques – David Will
Pat Murphy – David Will
Nagisa Oshima (Japan) – Shinko Suga
28:1985
Brazil—Post Cinema Novo: Special Issue
A New Actor: The State – Jean Claude Bernarde
Parody and marginality – João Luiz Viera and Robert Stam
Special focus on Carlos Reichenbach
Amor Palavra Prostituta – João Carlos Rodrigues
O Imperio do desejo – Jairo Ferreira
Ana Carolina Teixeira Soares
Mar de rosas: Critical Dossier – Simon Hartog
Das tripas Coração — 28: 1985 – João Carlos Rodrigues
Carlos Alberto Prates Correia
Perdida (1) – Pola Vartuk
Perdida (2) – Sylvio Back
Cabarét Mineiro: A Synopsis – Carlos Alberto Prates Correia
Cabarét Mineiro (review) – Servulo Siqueira
Julio Bressane
On Sound – Juilo Bressane
Julio Bressane — 28: 1985 – Jairo Ferreira
João Callegaro
O Pornografo — 28: 1985 – Jairo Ferreira
Ozualdo Candeias
A Margem – Jairo Ferreira
Andrea Tonacci
Bangue Bangue
Zé do Caixão and Mojica: In the Garden of Delights – Jairo Ferreira
Brazilian Independents: Some Background Notes – Claudio Solano
Chronicle of Brazilian Cinema – Paul Willemen
Interviews
Carlos Reichenbach (Brazil) – Simon Hartog
Murilo Salles (Brazil) – Servulo Siqueira
29:1985
Acting Tapes – Mark Nash and James Swinson
A Desk Between Two Borders – Lizbeth Malkmus
Japan: Avant Garde of the Future – Lesley Stern
Parody and Marginality: The Case of Brazilian Cinema – João Luiz Viera and Robert Stam
Presentation on Gitai – Paul Willemen
Chahine on Gitai – Yousseff Chahine
Ananas – David Lusted
Celebration of the Israeli Race – Ygal Tomarkin
Bangkok Bahrain – Mick Eaton
Archeology
The Infringement of Copyright Laws and Its Effects (1900–1906) – André Gaudreault
Interviews
Merzak Allouache (Algeria) – Lizbeth Malkmus
Nelson Pereira dos Santos (Brazil) – Richard Peña
Amos Gitai (Israel) – Roger Buck, Nick Dubrule, and Peter Todd
30/31:1986
The Passion of Rembrance: Background – Martine Attille (SANKOFA)
Children at War: Films By Gubenko Evtushenko – Nancy Condee and Vladimir Padunov
The Polish Balance Sheet – Jerzy Plazewski
The Politics of Silence: Anne Devlin, Women and Irish Cinema – Luke Gibbons
Introduction to Kumar Shahani’s Essays – Ashish Rajadhyksha
The Sentimental Age: Chauvel, Melodrama, Nationality – Stuart Cunnigham
Pausing Over Peripheral Detail – Roger Cardial
Postscript: Terms for a Debate – Paul Willemen
Reading the Visual – Anne Freeman
Kumar Shahani: Dossier
Myths for Sale – Kumar Shahani
Invocation – Kumar Shahani
The Media Police – Kumar Shahani
Notes for an Aesthetic of Film Sound – Kumar Shahani
Ideologial Ironies – Kumar Shahani
Interviews
SANKOFA (UK) – Jim Pines
Anand Patwardhan (India) – Sean Cubitt
32/33:1986
Contextualising Rocinante – Alison Butler
Notes on Rocinate – Paul Willemen
The Akasaka Connection The Tokyo Film Festival and New Japanese Cinema – Don Ranvaud
One From the Heart – Serge Daney
The Forbidden Zoom – Serge Daney
Politics Now (Anxieties over a petit-bourgeois intellectual) – Meaghan Morris
Neo-Traditonalism—Film as Popular Art In India – Ashish Rajadhyaksta
Melodramtic Performance Signs – Susan Roberts
Uncanny Feminism: The Exquisite Corpses of Cecilia Conduit – Patricia Mellencamp
The Loss of Visions: An Interview – Paul Willemen
Open the Box – Susan Boyd-Bowman
Archeology
Ycham discoursing on cinema: France 1912 – Richard Abel
‘Cinematography’, Ciné-Journal 20 April–11 May 1912 – Ycham
Interview
Frank Abbott (UK) – Sean Cubitt
34:1987
Recharting Soviet Cultural History – Nancy Condee and Vladimir Padunov
Chilean Cinema in Exile (1973–1986) – Zusana M Pick
Notes and Reflections (on Third Cinema Question) – Paul Willemen
35:1988
Presentation: Letter to an Actress – Ashish Rajadhyksha
Letter to an Actress – Rustom Bharucha
Peter Brook’s Mahabharata – Rustom Bharucha
Moving Beyond the Source: K.K. Mahajan, Cinematographer – Ashish Rajadhyksha
Some Background Notes (on Handsworth Songs) – Reece Auguiste
The Old Well: A Womb or a Tomb? The double Perspective in Wu Tianming’s Old Well – Yuejin Wang
News From Havana: A Restructing of the Cuban Cinema – Paulo Antonio Paranagua
Remembering Claire Johnston (memorium) – Lesley Stern, Laleen Jayamanne, Helen Grace
Interviews
Tolomush Okeev (Soviet Union) – Miriam Rosen
Black Audio Collective (UK) – Jim Pines and Paul Gilroy
36:1989
Questions of Third Cinema
Conference papers presented at ‘Theory and Politics of Location Symposium’
Introduction – John Akomfrah
About Locating Ourselves and Our Representation – Coco Fusco
Choosing the Margin of the Space of Radical Openness – bell hooks
Introduction – Stuart Hall
Image in the Heart – Laleen Jayamanne
The Politics of Location: Cinema/Theory/Literature/ Ethnicity/Sexuality/Me – Michelle Wallace
Cultural Identity and Cinematic Representation – Stuart Hall
Interviews
Ousmane Sembene (Senegal) – Kwate Nee Owoo
Tadao Sato (Japan) – Shinko Suga
37:1989
African Cinema Today – Manthia Diawara
The Crisis and Cultural Practice – Robert Crusz
Pioneers: Women Filmmakers in Latin America – Paulo Antonio Paranagua
Focus on Sri Lankan Cinema
The History of Sinhala Cinema – Edwin Ariyadasa
Cinema and the State – Ashley Ratnavibhushana
The Context of Tamil Film Production in Sri Lanka – Kavaloor Rajadurai
Cinema in Cultural and Politcal Debates in Sri Lanka – Jayadeva Uyangoda
Sri Lankan Tamil Films – KS Sivakumaran
Women in Sri Lankan Cinema – Sunila Abeysekera
Capturing Reality: The ‘Alternative’ Cinema of Dharmasena Pathiraja – Piyal Somaratna
Anoja Weerasinghe: The Star and the Actress – Framework
Sri Lankan Cinema: The Present and Future Scenario – A.J. Gunawardana
Interview
Tissa Abayesekera (Sri Lanka) – T Chandana-Silva
Swarna Mallawarachchi (Sri Lanka) – Framework
1990’s
38/39:1992
Language of Terrorism – Laura U Marks
France’s Bureau of Cinema: Financial and Technical Assitance between 1961 and 1971—Operations and Implications for African Cinema – Claire Andrade-Watkins
Black Skin, Black Masks – Alok Rai
Love Me Tender, Love Me True, Never Let Me Go... a Sri Lankan Reading of Tracey Moffat’s Night Cries – Laleen Jayamanne
Aravindan (1935-1991) (obituary) – Satti Khanna
Letter from Cuba to an Unfaithful Europe: The Political Position of Cuban Cinema – Paulo Antonio Paranagua
The Caribbean Film and Video Federation: A Report– June I Givanni
Striptease East and West: Sexual Representation in Documentary Film – Liz Kotz
Conference:
Questions of Third Cinema — ‘Theory and Politics of Location Symposium’
Introduction – John Akomfrah
About Locating Ourselves and Our Representation – Coco Fusco
Choosing the Margin of the Space of Radical Openness – bell hooks
Introduction – Stuart Hall
Image in the Heart – Laleen Jayamanne
The Politics of Location: Cinema/Theory/Literature/ Ethnicity/Sexuality/Me – Michelle Wallace
Cultural Identity and Cinematic Representation – Stuart Hall
Interviews
Henri Alekan and Amos Gitai – Stéphane Levine
Lino Brocka (Phillipines) – Hamid Naficy
Anand Patwardhan (India) – Robert Crusz and Priyath Liyanage
40:1999
Changing Representations of the Penis in the 70s and 90s – Peter Lehman and Susan Hunt
Kung Fu from Bruce Lee to Jet Li – Leon Hunt
School of Sound 1998 – John Ellis
Michel Chion – Larry Sider
Silence of the Loudspeakers – Michel Chion
Archeology: Dossier on Manny Farber
Badlands, Mean Streets, Wind and the Lion, Nashville – Manny Farber
Venice Film Festival – Manny Farber and Patricia Patterson
Manny Farber – Noel King
Manny Farber: Cinema’s Painter-Critic – Jean-Pierre Gorin, Oliver Ossayas, S Le Péron, S Toubiana
Critics Going Everywhere – Donald Phelps
Impressions of Manny Farber – Adrian Martin
Interview
Malcom Ferris (UK) – Jane Prophet
41:1999
The X Files, Paranoia and Conspiracy: from the 70s to 90s – Douglas Kellner
Assembly, Marketing and Reception of Bram Stoker’s Dracula – Thomas Austin
Expanding Universe: from the Ethnic Food Store to Blockbusters – Dina Iordanova
Fashion Notes – Peter Wollen
Invisible Fashions – Ackbar Abbas
‘Gives Good Face’: Mr John and Power of Hats in Film – Drake Stutesman
Interviews
Ellen Seiter and Susan Davies in conversation
Barbara Orton – John Dovey
Zandra Rhodes – Geraldine Howell
